More and more we are honoring requests to show art options with greater depth and texture. For this last Inspiration Board of the year, we would like to share a “few of our favorite (dimensional) things.”
There is so much to love about three-dimensional art; how it can punctuate a space and accentuate the overall design. Please click through these options in wood, glass, metal, fiber, porcelain and even just thickly applied paint.
Amy Parry Projects is enjoying a relaxing week in celebration of the Thanksgiving holiday. Wishing the same for all of our many friends and contacts!
APP Out of Town
In the spirit of gratitude, we are thankful for our work within the highly creative
Boutique Hospitality Industry.
We had a very inspiring trip to this year's Boutique Design New York (BDNY trade fair) where we could see and hear firsthand from leaders in our industry. The work of a lot of creative minds goes into each and every hotel and it was greatly affirming to see how much collaboration is truly happening.
The public spaces of our global hotels are being designed with greater connectivity in mind. There are amazing innovations in lighting, A/V and modular furniture. Accessories and mirrors are truly standing out. And punctuating all of the spaces, artwork is still cited as the icing on the cake - offering guests a sense of time and place which is an essential element of memorable travel. We saw inventive design elements that allow endless possibilities for integrating art. We are moving so far beyond the framed print these days!
BDNY proves this industry to be flourishing, with an abundance of exciting resources. Not surprisingly, the most fruitful part of our trip was the face time we had with some of the great Designers who bring all of these resources together. We are grateful to be one part of creating successful hotel experiences that guests will remember and we cannot wait to see what collaborations 2019 will bring about.
A couple of weeks ago we had an amazing studio visit with mixed media sculptor Eileen Braun and were fascinated by her transition in materials - from ceramics to rattan - in the creation of her extraordinary, otherworldly vessels.
We are sharing here, her description of the work and a glimpse at what she has been working on.
"In 2016, I put my clay work on hold and sought a new media less demanding of material constraints. After a lot of experimentation, I found it in encaustic wax and rattan weed. As I make the work, the forms grow increasingly more complex. Their sizes range from 3 - 7 feet high and the deep shadows (not easily shown in images), provide a completely different personal experience. The work is deceivingly light, weighing in at a mere 2- 6 pounds.
My art mirrors natural forms with a biomorphic edge. Often the exact life cycle stage one is viewing is too complex to pin down. Is it focused on seed, mature growth, or the desiccation of this system? I leave that up to the viewer.
Movement, texture and complexity of form are integral to the work as well. My hope is that the viewer will be drawn in by the shape. While approaching, they will be intrigued by the ever-changing views because one can see both through and around the form simultaneously. The texture, shadow and line created by the materials add to the multidimensional cornucopia of delights.
Process: The sculptures are constructed from rattan reed, encaustic wax, cotton string, and glue. In some instances I have added dress-makers pattern tissue - influenced by my research of Japanese Akari lamps. The rattan reed is left natural or occasionally pre-stained; soaked, manipulated and secured at all junctions with cotton string. Additional elements to the sculpture are constructed or texturized with encaustic wax. The exoskeletons in many instances have been en-robed in wax, giving them the appearance of metalwork."
Enjoy the work and imagine the possibilities - tabletop installations, wall-hangings, ceiling installations...