Words with Friends | Kyle Brooks, aka Black Cat Tips

The Spirit Behind His Art:

An Interview with Kyle “Black Cat Tips” Brooks


Kyle Brooks, better known as Black Cat Tips, is as colorful a character as his artwork. The self-proclaimed poet, thinker, and “teller of tales,” first started painting as a hobby, but soon began experimenting with public art. Painting on abandoned buildings, what he dubbed “Street Folk Art,” created visibility for his artwork, which soon led to commissions and a full-time career as an artist.

Kyle sat down with APP to discuss his origin, inspiration and the thought process that goes into his whimsical creations.


APP: Where does the name "Black Cat Tips" originate?

KB: I never have the best answer for it. I’ve always liked words and mixing and matching words. At the time, I liked the way it sounded. Years before I was making art, I needed a name for a website. I could have named it anything—I could have named it Bobby.

But instead I named it Black Cat Tips… it was just a crazy name I came up with. And now look, I’ve turned into one. I like the magic of some way some words work together. Almost accidental things: the way these things happen out of your control. And maybe I like the way your brain picks up these things and turns them into something else?

APP: So much of the artist's identity has to do with finding a sense of place, whether geographical or communal. When did you find your artistic space?

KB: The semi-brief version was I didn’t know what I wanted to do. I just knew I liked to make things, whether music or drawing. I had an office job that I landed with my Photoshop skills, was recording music and driving a van.

With my free time, I started painting for fun on my own. Painting one thing after another in a new free way. Just fooling around, and over 7-8 years I just painted and painted and painted as a hobby at home.

Then, I got laid off from my office job. My wife said I should show people my paintings and do something with it… I did that, and also started tinkering around with putting art out in public with a street art component. Which is where I came up with the term “Street Folk Art.” I would paint on boarded up windows on abandoned houses, because it wouldn’t hurt the house… it grew and grew, the more people that saw my work on the street led to people buying paintings. I got asked to do bigger and bigger projects and talks. It’s strange and amazing that I’m still going. I feel lucky to be able to do this.

APP: How do you approach storytelling in your work? What story are you trying to tell?

KB: That’s a great question. I appreciate that. It’s funny, when I paint if I’m not looking at something or have a topic, I paint: boots, flowers, and a lot of faces. And then little houses. I always wonder why I paint these things- oh, and I paint clouds! I like to push myself to paint other stuff, but I always gravitate to those objects.

I guess a lot of my stories are strange explanations or meanderings on things I see and think about. I like to communicate. And long-winded answers that never get there. What am I trying to tell?

Part of it is I struggle inside with a lot of things. Painting is fun. It’s happy, it’s always been a therapy to me. It helps me. I would do it even if I didn’t need the money. I would still do it because I feel compelled to. It helps me mentally.

APP: If you didn't live and create Georgia, where else would you like to make art?

KB: I’d like to live out toward the Southwest. I grow tropical plants, so I like humidity. I’ve always lived close to the area I’m in now. Maybe somewhere in the high desert… I don’t like the cold. Let’s say I’d try New Mexico for a year but then may just come back to sopping wet Dekalb County. At least I can paint with a fan and air-conditioning inside.

To learn more about Kyle’s work, please visit his website

blackcattips.com