Lyla Lila Announcement - Art Consulting by AP Projects

Lyla Lila will bring house-made
pasta to
Midtown this fall

The restaurant from Craig Richards and Billy Streck is set to open in lilli Midtown later this year

By Carly Cooper - May 30, 2019

A rendering of Lyla Lila | Courtesy of Smith Hanes Studio

Last year, Craig Richards left his position as vice president of culinary for Ford Fry Restaurants and executive chef at St. Cecilia and joined forces with restaurateur Billy Streck (Hampton & Hudson, Nina & Rafi, Cypress Street Pint & Plate). The duo soon discovered they had more in common than a love of food: their daughters share a name. So it only made sense to express that connection through the name of their new restaurant, Lyla Lila. (Richards’s daughter is Lyla; Streck’s daughter’s middle name is Lila.)

“We had 30 names on the table, but this makes it a lot more personal to us,” Richards says. “The restaurant is an expression of us.”

Located in the lilli Midtown building at the corner of 3rd and Peachtree streets, the food at Lyla Lila is inspired by the cuisines of southern Italy and Spain. It will include house-made pasta and wood-fired meats and seafood, along with Old World wines and seasonal cocktails.

Pasta options will include smoked squash and ricotta caramelle with spiced pumpkin seeds and sumac; and tomato leaf pappardelle with pork and beef cheek ragu and charred peppers. There will be two risottos on the menu, along with entrees such as a pork porterhouse with eggplant and oysters; and a whole-roasted fishtail with smoked onions and lemon butter, served with an anchovy and arugula salad. Sides include a salt-roasted sweet potato with fermented chili butter, while appetizers will include lamb croquettes with fennel pollen aioli and a wood-grilled lettuce salad with rye croutons, wild oregano, and yogurt dressing.

The beverage program will focus on seasonal cocktails and Old World wines, along with both local and European-style beers in bottles, cans, and a few drafts.

“This food lends itself really well to sparkling wines, so we’ll have an expanded sparking wine program,” Richards says. “We want the beverage side and the kitchen to be a reflection of each other.”

When Lyla Lila opens in early fall, it will serve dinner seven days a week. Weekend brunch will follow, along with weekday lunch. Smith Hanes Studio is designing the 4,000-square-foot space.

“In developing the concept, we pulled out some old vinyl—Miles Davis, Duran Duran, old Madonna—and got inspiration that way,” Streck says. “You might see some vinyl playing on a turntable. We’re definitely encouraging an after-dinner crowd.”

Expect a wooden floor with tiles that merge into the horseshoe bar area. There’s an area with cafe tables and banquettes for cocktails, a dining room, and a 25-seat private room. The Peachtree Street-facing patio is designed for people-watching, while a second patio in the cocktail area features a fireplace as a throwback to Cypress Street’s sizable firepit.

“We want the patio to be a beacon if you’re coming from either side of town,” Richards says.

And if all goes according to plan, Richards says, Lyla Lila will have the energy and vibrancy of his daughter, who is “extremely excited” about having a restaurant named after her.

Currently Inspired By...

AP Projects has been working on a plethora of new projects as we transition from Winter to Spring. This March Inspiration Board is a collection of things that have stuck with us along the way.

Click to see cool assemblages, lovely layers and all the colors of the rainbow.

Currently Inspired By...

More and more we are honoring requests to show art options with greater depth and texture. For this last Inspiration Board of the year, we would like to share a “few of our favorite (dimensional) things.”

There is so much to love about three-dimensional art; how it can punctuate a space and accentuate the overall design. Please click through these options in wood, glass, metal, fiber, porcelain and even just thickly applied paint.

Happy Thanksgiving | What We Gathered at BDNY

Amy Parry Projects is enjoying a relaxing week in celebration of the Thanksgiving holiday. Wishing the same for all of our many friends and contacts!

Thanksgiving Turkey + Math Lesson, 1917, uncovered in an Oklahoma City Elementary School classroom. Read more about this fascinating 100 year old art discovery here.


APP Out of Town

In the spirit of gratitude, we are thankful for our work within the highly creative
Boutique Hospitality Industry.



We had a very inspiring trip to this year's Boutique Design New York (BDNY trade fair) where we could see and hear firsthand from leaders in our industry. The work of a lot of creative minds goes into each and every hotel and it was greatly affirming to see how much collaboration is truly happening.

The public spaces of our global hotels are being designed with greater connectivity in mind. There are amazing innovations in lighting, A/V and modular furniture. Accessories and mirrors are truly standing out. And punctuating all of the spaces, artwork is still cited as the icing on the cake - offering guests a sense of time and place which is an essential element of memorable travel. We saw inventive design elements that allow endless possibilities for integrating art. We are moving so far beyond the framed print these days!

BDNY proves this industry to be flourishing, with an abundance of exciting resources. Not surprisingly, the most fruitful part of our trip was the face time we had with some of the great Designers who bring all of these resources together. We are grateful to be one part of creating successful hotel experiences that guests will remember and we cannot wait to see what collaborations 2019 will bring about.


We were also fortunate enough to catch Nick Cave at Jack Shainman, the Salon Art + Design Show at the Park Armory and an absolutely incredible showing of Hilma af Klint's "Paintings for the Future" at the Guggenheim. Inspiration overload! (please visit our IG feed for more images from our trip!)

Women's Work

As we close out March and Women's History Month, we want to give a shout out to some women artists who are still killin' it at basketry, typing, dress-making, porcelain painting, quilting, weaving, floral arranging, stitchery, pottery, etc. even though they don't have to.

Because "women's work" is always FINE ART.

Enjoy!

The Wonderful Work of Eileen Braun

A couple of weeks ago we had an amazing studio visit with mixed media sculptor Eileen Braun and were fascinated by her transition in materials - from ceramics to rattan - in the creation of her extraordinary, otherworldly vessels.

Eileen Braun, Smoke, 2017, rattan reed, wax, pigment and string



We are sharing here, her description of the work and a glimpse at what she has been working on.


"In 2016, I put my clay work on hold and sought a new media less demanding of material constraints. After a lot of experimentation, I found it in encaustic wax and rattan weed. As I make the work, the forms grow increasingly more complex. Their sizes range from 3 - 7 feet high and the deep shadows (not easily shown in images), provide a completely different personal experience. The work is deceivingly light, weighing in at a mere 2- 6 pounds.

My art mirrors natural forms with a biomorphic edge. Often the exact life cycle stage one is viewing is too complex to pin down.  Is it focused on seed, mature growth, or the desiccation of this system? I leave that up to the viewer.

Movement, texture and complexity of form are integral to the work as well.  My hope is that the viewer will be drawn in by the shape. While approaching, they will be intrigued by the ever-changing views because one can see both through and around the form simultaneously. The texture, shadow and line created by the materials add to the multidimensional cornucopia of delights.

Process: The sculptures are constructed from rattan reed, encaustic wax, cotton string, and glue. In some instances I have added dress-makers pattern tissue - influenced by my research of Japanese Akari lamps.  The rattan reed is left natural or occasionally pre-stained; soaked, manipulated and secured at all junctions with cotton string.  Additional elements to the sculpture are constructed or texturized with encaustic wax. The exoskeletons in many instances have been en-robed in wax, giving them the appearance of metalwork."


Enjoy the work and imagine the possibilities - tabletop installations, wall-hangings, ceiling installations...

Just exquisite!

 

Ultra Violet | PANTONE'S 2018 Color of the Year

“We’re in a complex time; this is a complex color.”
- Lee Eiseman, Executive Director of the Pantone Color Institute

With their announcement, Pantone explains: "[Ultra Violet] is a very provocative shade, but it’s also a thoughtful color–it sounds like a bit of an oxymoron,” Eiseman says. “This is the kind of color attached, historically, to originality, ingenuity, and visionary thinking. These are the elements we need to create a meaningful future. Inventiveness and imagination is something we seek in our personal lives and business worlds. People are looking for that ‘magic bullet,’ and this shade is the perfect shade to lead right into it . . . It’s intriguing, fascinating, and magical.”

 

Please enjoy 20 images inspired by the color Ultra Violet...

First Look | Atlanta Hawk's Owners Club | Chris Maynard

Hawks, 2017, hand-carved feathers, 60.75 x 23 x 2 inches

Feast you eyes on this image of the first piece of artwork completed for the newly renovated Atlanta Hawk's Owner's Club at Philips Arena. Created by Olympia, WA artist Chris Maynard, the work is made by carving miniature hawks out of actual feathers with a very small scalpel. With a background in biology and a clear passion for this medium, the work is precise and visually arresting.

It is also three-dimensional; by setting them off the background with tiny pins, the pieces create shadows which is integral to the work. This piece, created for the Owner's Club which will open this month, is about flight and ascension, alluding to the drive of the team's athletes toward the goal.

The Owner's Club is designed by Smith Hanes Studio and will also feature work by Atlanta artists Larry Jens Anderson and David Landis. Stay tuned for more images. This is just the beginning of the transformation of the Philips Arena Art Collection.
 

 

To learn more about Chris Maynard and his incredible, beautiful practice, please visit his website:

www.featherfolio.com

Hurricane Symbolism | Elyse Defoor

Earlier this month, prior to the devastation of Hurricane Harvey, we had a great studio visit with ATL Artist Elyse Defoor. Her new space allows her to have many of her past works on display.

This piece, By The X, is from her X.U.ME series - a response to the visual symbolism of the X in the immediate aftermath of Hurricane Katrina. With our thoughts on the people of Houston, we share this poignant past project.

 

Elyse Defoor, By the X, mixed media on muslin, 108" x 90"

Watch the PBA30 video spotlight on X.U.ME Project here


Learn more about Elyse here: www.elysedefoor.com