Currently Inspired By...

As we enter the summer of 2021, it seems we are all breathing a little easier and enjoying a collective return to life after all the difficulties + hardships surrounding the pandemic. With this inspiration board, we aim to reflect the shift in mood by offering vibrant images full of texture and color.

We have been deeply inspired by the artists who used the quarantine to truly contemplate and explore their subjects - the artistic attention to detail is clear. You will also find glimpses of nature and cool landscape vistas that celebrate what the world looks like out there. We are certainly ready to start exploring again!

Words with Friends | Shira Barzilay

A conversation between Mallory Johnson (MJ), Amy Parry (AP) and Shira Barzilay (SB), the brilliant and original mind behind the brand KOKETIT

MJ: What prompted you to start combining female figures with these images from nature?

SB:
Everything fell together when I was drawing on images and drawing female figures. I started realizing that by combining these drawings on photographs I was able to tell different stories in a way that was exciting for me. Here, the images would serve as a canvas that already had a story. The more I practiced minimalism and abstract art rather than figurative fashion drawings, the more sophisticated the narrative became. There was such dissonance between how little of a change I would make and how much the story would completely shift. I always admired the aesthetic of minimalism. With minimalism I realized I would have to aspire to do that; I would have to bring myself one day to think like that, but it was always on my mind.

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AP: Your work reminds me of Henri Matisse. His style was maximalist in his younger years but transitioned to those cut outs in his later years. His later works could not have been as impactful without that earlier life experience.

SB: Same for Picasso as well! He had a realistic figurative style in his early years. People dropped that classic mentality to figure out the way to express who they were. That’s where things become interesting - when artists stopped going after the herd and started listening to their inner selves. Everybody has that, people are just too scared to embark on that journey. It set them free and that is why I’m inspired by them, not because of their style or aesthetic. I’m more interested in the story behind the work than the presentation because it’s like a well of knowledge that I can become inspired by. That is going to enrich me a lot more than if I respond to a line or a color.  

AP: There couldn't be you without Picasso.

SB:
I believe every artist in the 21st century has been inspired by Picasso. I feel like he is the father of where art is today. He freed the art world to me and gave people the key to explore differently.

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MJ: You mentioned that you are able to tell a story within each piece. Do you see them as their own separate stories or is there an intention to connect them and make one larger story?

SB: Both. Every post is very unique to my experience and emotional journey. A lot of the time I create out of my own experience; it's kind of autobiographical. You can look through my feed that day and understand what I was going through, and what was on my mind. In that way they're all very individualistic but they are part of a series and that series is “The World is My Canvas.” The conceptual meaning of it is to free the mind of limitations. Through digital work I get to draw on a screen. I don’t have to climb a mountain and use crazy techniques to express myself, I can do it on a screen with a pen and convey the same idea. The idea is to really let the world be a blank canvas. Through my motifs which are the faces or the female body or some sort of female expression- because it's me obviously- I am able to explore that relationship between nature and the female form. The reason I use nature a lot is because nature is so objective and pure, and it relays a lot of emotion to me. The mountains to me symbolize my tribulations and obstacles and wanting to achieve my own limitations. Nature serves as a good canvas, but I hate sticking to one thing so if you look at my [Instagram] feed there are always going to be different elements that I try to play with because I don’t want to get stuck in one place.

MJ: It seems to me that there would be some catharsis in having a bad day, sitting down and working that out on the page and then having other people relate with what you’re feeling at that time.

SB: It’s so funny because this became very apparent to me more over the pandemic when I was stuck at home. I discovered what a satisfying role my own creativity serves in my life and how important it is to my well-being and my confidence. No matter what I'm going through, I always know that somehow, I can convert that to something positive. I know it sounds a little bit cliché but every time it’s satisfying. I cannot imagine myself doing anything else. Art makes me happy. It makes me really excited about what’s to come next.

MJ: Do you have anything in mind that you’re looking forward to doing in the future - collaborations or different subject matter that you've been thinking of incorporating?

SB:
I’m really bad about planning for the future. Every time I plan something, something completely different ends up happening. Like with my art, I start drawing something and it becomes something else. I don't plan ahead on subjects; I just meditate on my intention. I have a vision even if it’s very abstract. Thinking about what I want to be doing, how I wanna be feeling, what material I want to be touching. So, I can’t see it but I can sense it and it’s kind of like an intuitive situation.

MJ: That’s interesting that you say it’s really intuitive, are you someone who uses this as a kind of spiritual outlet for yourself?

SB:
Yeah for sure. I meditate every single morning, I started last year. I had intentions of meditating for five years, it was on my to do list. When the pandemic arrived, I thought ooh la la this is the perfect opportunity to sit my ass down and do it, so I did! I have been embarking on a spiritual journey and meditation is so unbelievably helpful and it's so approachable! I downloaded an app called Calm and I do it every day for like 12 mins and it's been amazing and now I advocate it.

MJ: We talked a little about your influences, do you have any creatives that you follow right now who spark something for you?

SB:
I’ve always said that at dinner I’d love to sit down with Chopin and Picasso, those are my two biggest influences. I feel like an old lady, but Chopin is my go to guy when I wanna get serious work done. In terms of current amazing people, I am very inspired by the Spanish artist/actress Miranda Makaroff. I met her 2 or 3 years ago at an event in Barcelona for influencers. I’ve been following her art and her life ever since and she’s a huge inspiration because I love her art, and the way she approaches social media. She doesn’t take herself too seriously. She’s fun and she’s a complete original which is so hard to find these days. It seems like lately everyone is a copy of everyone else. I suffer from a lot of rip-offs. I have two people ripping off other things so when I see her work it’s like a breath of fresh air. She’s amazing.

AP: I am curious about your branding and about how making your art has become a career. Are you a full-time working artist?

SB: KOKETIT, my brand, has been around for about 6-7 years. It started as a temporary tattoo line, then I opened up the online shop for my business and it kind of grew from there. I used to be a graphic editor for a magazine and that was a full-time job, so I slowly built my brand on the side. Slowly but surely the brand got so much bigger than the full-time job that last year I quit and became a full-time artist. It was a dream come true because I always wanted to be my own brand and be my own boss. I used to draw portraits of people at events. Then all of a sudden, I was out of a job and the one thing that I had to rely on was the one thing I was scared to rely on the most - that was me as an artist selling my own drawings as is. No shticks, no gimmicks, no commercial aspects, no nothing, just my art and people would either wanna buy it or not. Covid kind of put that mirror in my face and I had to deal with it. I’m so grateful it did because now I get to live off of my purest craft which is actually making art.

People always ask me how can you make money from being an artist? Well, first of all I say I have an art business. I am a businesswoman and I handle my own affairs. It’s incredibly rewarding even when you have to do the gray tasks like accounting and not the creative stuff. It's all worth it because it's my business and I love it. It took me a long time to get there, but it’s the best place I could have wanted to be.

I really want to pursue more than digital work. I started doing canvas work, taking commissions, working with art dealers and really getting inside the art world. I’ve always been really scared of the art world because it’s scary! I don't come from that world; I come from Israel, a place where art is still standoffish and I feel like my approach is different and it creates something new. Covid really was the time for me to make that change and it’s all happening now.

AP: I think that’s the cool thing about the digital age of artwork is that we all have been brought together and there is room for everybody. It can’t just be the galleries anymore. We’re all allowed to see it, we all have access to it now which is a major change from how the art world used to be. Then with Covid too, we’re not going to events, so art has to come to us. Covid rocked your world in a great way.

SB:
I also listened to a lot of marketing podcasts because with lockdown there was nothing else to do besides jog and walk, so I studied what it means to do art marketing in the Covid era. It was really interesting to see how Covid changed the art world; how people are at home staring at blank walls wanting to fill them with art and how online shopping has tripled in this quarter. Before I landed where I am now, I did so many different things, moving from one thing to the next and never sticking on one thing. I wouldn't give it the love and time that it needed, and I feel like right now the art world is changing so fast that we either change with it or get left behind.

View Shira’s complete website here: www.koketit.com

Currently Inspired By...

Coming up on the vernal equinox, it’s time again to spread some seeds of inspiration. Please enjoy this Spring Inspiration Board, put together by our Visual Design Director, Sarah Knight Davis, and let us know if we can show you more work by any of these great artists.

Currently Inspired By (Quarantine Edition)…

We come to you with no offer of commitment or philosophy regarding the current global situation. Things are weird. And hard! Amy Parry Projects is just doing what we can do - working to create custom art for hospitality projects with an unbroken spirit of collaboration, love and empathy.

We know you have been absolutely inundated with messages from just about everywhere, so please accept a friendly hello and our offer of 100 new art images as we enter this new season (in more ways than one). 

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To quote Asheville-based painter Moni Hill (included here):

This virus is uncovering what is essential! Connection. Movement. Nature. Art. 

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Please note the work by Dana Montlack - turning imagery and data related to microorganisms into gorgeous photographs / Greg West - dimensional paint dabs of fun, iconic animals and people / Imi Hwangbo - meticulously cut and layered sheets of mylar / Angie McMonigal - architectural “quilt” photos captured on urban walk-abouts / Eyes as Big as Plates - a sculptural photographic series capturing 50 seniors across the globe embedded in their natural environments / Lloyd Benjamin - colorful silkscreens that capture scenes from the artists “peripatetic” youth (traveling from place to place being one of the things we simply cannot do at the moment) / Suzanne Saroff - a fun look at florals through glasses of water - something we could potentially incorporate into our involuntary home-school curriculum.

Currently Inspired By...

Happy 2020 from Amy Parry Projects!

Hope your year has started beautifully! We are feeling very inspired by the transition into a brand new decade. Please enjoy this latest selection of new, eye-catching art; our first Inspiration Board of the year.

Lots more to come!

Currently Inspired By...

October is here. Let the leaves fall where they may…

We are entering the final few months of the year as inspired as ever by the work being created all around us. Collected here are 100 new pieces of art that are fresh and bold - lots of color, content and a variety of unusual materials. After all, the end of a decade is no time to be boring!

Currently Inspired By...

It’s already August?!

With the revived goal of bringing you a new Inspiration Board every other month, you will really see what we are actively sourcing for our hospitality projects.

This summer we have been seeking out textile work, different types of collage and work that in general, shows a level of traditional craftsmanship. In the digital era we are living and working in, it’s cool to appreciate art that shows the artists’ hand - bonus when it incorporates or re-purposes something from nature or maybe the “good old days.”

And a good painting is always in style, right?!



Via Sophia + Society Now Open in DC featuring APP Art Program

A Fiola Mare Alum Opens a Fancy New |All-Day Osteria Downtown

Via Sophia and a hidden cocktail bar will debut in the Hamilton Hotel

by Tierney Plumb
Jun 11, 2019, 1:24pm EDT
Photos by Rey Lopez/Eater DC

The Hamilton Hotel is ready to unveil the final pieces of its multi-million dollar renovation downtown at the corner of 14th and K Streets NW. An Italian restaurant specializing in Neapolitan pizza and a glamorous, postage stamp-sized bar serving cocktails and caviar are both scheduled to open tomorrow.

Following a full lobby transformation and guest room refresh, the historic 318-room hotel is replacing its outdated 14K restaurant with an all-day osteria called Via Sophia. A dark, library-themed bar called Society is hidden off the lobby.

The anticipated two-part venture is helmed by an all-star hospitality cast that includes Via Sophia executive chef Colin Clark, who’s amassed an impressive East Coast resume by working under several James Beard Award Winners (Marc Vetri, Jeff Michaud, and Fabio Trabocchi). He was also part of Le Diplomate’s opening team in 2013. Most most recently, Clark was chef de cuisine at Trabocchi’s Georgetown Harbor darling, Fiola Mare.

Via Sophia (1001 14th Stree NW) will open with breakfast, lunch, and dinner. There’s also an weekday happy hour for apertivos and a late-night pizza menu. Weekend brunch will join the mix later this summer.

European cutting boards double as wall art near the 10-seat pizza bar overlooking the cooking action.

In Clark’s new post, he hopes to breathe new life into the same block as The Washington Post’s headquarters overlooking tree-lined Franklin Square.

“We are going for upscale — this is 14th and K and we are trying to make it a dining destination,” Clark tells Eater.

Since wood-fired Neapolitan pizza is Via Sophia’s star attraction, the staff went the extra mile to elevate their pie-making skills. Clark and sous chef Cameron Willis trained under master pizzaiola Roberto Caporuscio, owner of New York City’s Keste Pizza & Vino and Don Antonio (named “#1 Pizza in New York” by New York Magazine).

Oak wood fed into the oven to maintain its required 650-degree temperature is stocked across Via Sophia.

Five seasonal pizzas at Via Sophia include a classic Margherita — with San Marzano tomatoes, buffalo mozzarella, and fresh basil — and Fra Diavlo (salame picante, fresno chiles, red onion, buffalo mozzarella, San Marzano tomatoes).

Even the staff floating around will be dressed to the nines. Ashley Blazer Biden, Joe Biden’s daughter, designed the hotel’s new stylish black-and-white uniforms in collaboration with Livelihood.

Atlanta-based Art Consulting Firm, Amy Parry Projects, helped curate a custom art collection that weaves old and new elements across Via Sophia. Think nostalgic antique metal pizza peels juxtaposed with modern photography and abstract art pieces.

Italy’s go-to table water San Pellegrino doubles as glowing green wall decor, alongside retro images of women posing along scenic shores.

Clark’s most recent cooking stint at seafood-focused Fiola Mare is evident across its underwater section of dishes. A grilled Norwegian salmon features a traditional Spanish romesco sauce, alongside charred broccolini, pine nuts, and black garlic dressing. A minimalist presentation of black bass, accented with baby squash, asparagus tips, morels, and a golden beet border, lets the fish shine.

DesignONE Studio is behind the look of Via Sophia and Society.

Southern Italian-inspired dishes include bruschetta built on a house-baked semolina loaf; tagliata di manzo (sliced steak) with charred spring onion, confit cherry tomatoes, balsamic reduction, arugula, and barolo jus; and monkfish ossobuco, with sauce livornese, clams, olives, capers, fennel, and potatoes.

“This is very in line with my background — the whole idea is a balance between rustic and modern,” Clark says. “We knock the rustic element out of the park — it was a decision early on to make bread, pizza, and pasta in house.”

Chicken al mattone (crispy artichokes, guanciale, peppers, maitake mushrooms, chicken jus) is “as old school rustic as it gets” he adds.

Carb-driven entrees include ravioli finochietta, with asparagus tips, fava beans, morels, and fresh parmigiana. Pappardelle comes with rabbit ragu, ramps, pecorino and Castelvetrano olives.

Antipasto orders include caponata-toasted eggplant with San Marzano tomatoes, golden raisins and pine nuts. Meat and cheese boards feature prosciutto di parma aged 24 months.

Wines and spirits hailing from Italy largely make up the drinks section, with some 120 wine bottles available. Local makers from D.C. and Virginia also contribute to the craft beer and spirits selection.

Society, inspired by Prohibition-era secret societies and private clubs from the art deco period, features just 14 seats. Fancy bar snacks include caviar with panna cotta, nuts, and Sicilian olives. Zack Faruki, an alum of Michelin-starred Fiola, is leading a mixology program.

Wines by the glass start at $20, and big spenders can also peruse from a rare collection of reds with a few bottles dancing near the $700 mark.

Seductive details at Society include dark distressed leather, gothic-style candlestick wall sconces, and diamond glass chandeliers.

Society is an ode to renowned French-born architect Jules-Henrí de Sibour, who originally designed the hotel in 1922. The Prohibition-era architect was a member of Yale’s Skull and Bones Society. Framed hand drawings and photos taken from his time at Yale line the walls.

Hours are Tuesday and Wednesday, 5 p.m. to midnight; and Thursday through Saturday until 1 a.m.

Currently Inspired By...

When we discover new artists or get blown away by new work from some of our old favorites, we do our best to share the work and hopefully pass on the inspired feeling. It is a very exciting time to work in hospitality design and we have enough ideas for any kind of project.

Here's to the beauty of endless possibilities!

Please let us know how we can contribute custom art to what you're working on  this summer.